For most people, pelt Elise is the poster boy of classical music. off from its inclusion in films and contemporary music, it is ever-present in our society whether we realize it or not. This is particularly evident in its heraldic bearing in the Baby Einsteins series people force feeding their infants Beethovens works in hopes of their children becoming intellectually gifted. Yang proceeds to address the myriad of mutilated versions of Fur Elise by way of disco remixes and whatnot that attempt to bridge the gap between bluebrow and middlebrow consumers. Beethovens musical brilliancy is thus lost in what can only be described as a monstrosity of music. The author attempts to iota a sonic logo a brand that a sound provokes when hearing it to Fur Elise. It has become slight and less meaningful and become more of a tag to corporate Americas advertisements. Many people associate it with Mcdonalds famed commercial of a young girl playing Fur Elise at her piano recital while singing of her requirement for Mickey Dees fries and burgers.
In this case, it represents the mundane in life rather than the fun that would rather be had.Lastly, Yang writes nigh the abhorrent use of Fur Elise as a ringtone. The polyphonous notes lose all value and meaning, it is no longer a sincere imitation but rather a grouping of notes with an absence of meaning and depth. Fur Elise is no longer of busy as a piece of music, something to which we apply aesthetic judgements just about structural integrity, dramatic effectiveness, and expressive power, but rather, is harnessed as a familiar sign that endows its user with certain qualities - femininity, high culture, innocence - by association.If you want to get a spacious essay, order it on our website: Orderessay
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