Seamus Heaneys numbers, Digging, is about a storyteller remembering the clobber done by his father and grandfather, compared to the kind of work the storyteller has chosen, which is writing. Reading by means of the poem, we contrive the narrator barb the priming coat of his memory and flavour both proud of and humbled by the hard dig up his father and grandfather put in planting and digging potatoes. But in the end the narrator feels his choice of work in life is writing, and he will be circumscribe with that. In this essay I will analyze how Heaney uses diction, imagery, and wakeless techniques to contribute to the theme of choosing ones life work.
The poem is made up of nine stanzas, and from the first stanza we are taken through the narrators memory into the past, and then O.K. to the present in the final stanza. In the first stanza we see how the poets choice of vocabulary contributes to the theme by the narrator describing his squat spell between his finger and thumb, and how he holds it in his hand, snugs as a gun. That the pen is snug suggests that the narrator is comfortable holding it, and using a simile as a gun to compare the pen gives the impression that the pen is ready to shoot, that is, the poet is ready to write.
The narrator then hears a wakeful rasping sound beneath his window, When the delve sinks into the gravelly ground. The narrator claims its his father, and I look down. The alliteration of spade sinks and gravelly ground provide the rasping sound of the excavator digging, and the hard g sound reinforces the image of the hard earth. Heaney uses the kindle technique of visualizing the narrator looking down from his window as a way of the narrator remembering his past, because in the trine stanza his father, digging, comes up twenty years away.
In the middle of the poem we see the narrator describing the way the potatoes felt: cool harshness in our hands, and the cold smell of...If you want to get a full essay, order it on our website: Orderessay
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