The lower part on the lower circle fixed the position and curve in the line in the mouth, even though the upper part on the upper circle marked the position of the hairline on a forehead. The intersection from the two circles at 1 end with the common chord, marked the position from the outer corner in the eye nearest the spectator as soon as in side view, and the outer corners of each eyes when in front view. In this connection Leonardo wrote, \'The space in between the eyes is the width of one eye\'\" (Goldblatt 63).
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The geometric lines can still be observed on a finished paintings that he did. Leonardo\'s unique use of plane geometry is also found in the head of \"St. Anne,\" which was done on white paper with black chalk and from the head of \"Leda,\" which was done on wood with oil. The use with the plane geometry techniques and the left-handed strokes helped in identifying each of these works as Leonardo\'s.
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Even with out these essential reasons the \"Mona Lisa\" stood out like no other painting. The painting has diminished in top quality more than the years because of dirt and varnish which have covered up the soft colors, and the clarity and radiance from the painting. Due to the possibility of damage for the painting, it can\'t be cleaned (Wasserman 144). Even so, the magnificence of the painting appears to grow as the many years progress.
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Legend says that in 1502 Leonardo met the wife of Francesco del Giocondo and, because of her good beauty, was inspired to paint her portrait. Francesco was said to become cruel and miserly. He supposedly sold all of his wife\'s jewels and forced her to wear mourning clothes so no a single would suspect what he had done. She was a extremely sad woman who jumped at the chance to get Leonardo paint her portrait. She was mentioned for getting placed a spell on him that so enraptured him that she became his mistress. Mainly because she was so sad Leonardo was said to get applied an orchestra to lighten her spirits and help her to smile. This subtle smile was what enraptured him so and touched his inner soul to inspire him to paint her as he did.
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Wasserman, Jack. Leonardo da Vinci. New York: Harry N. Abrans, Inc., 1975. Mythology has helped make the painting famous in a mysterious type of way. The \"Mona Lisa\" includes a sphinx-like high quality that charms the spectator with her subtle smile. It seems that Leonardo was driven to create an image of mystery as he slowly brought the painting to canvas. That mysterious image persists today as does the legend with the lady.
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he \"Mona Lisa\" was observed in his studio along with many other paintings. It was claimed that Francois I was the proper owner on the painting and it was turned more than to him. It was part of \"the French royal collection until 1805, after it entered the Louvre in Paris\" (Wasserman 144). It has remained there ever since, except for a brief period when, in 1963, it was loaned on the Metropolitan Museum of Art in New York City. The Louvre has thousands of targeted traffic yearly quite a few of whom go there just to determine the lady.
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Leonardo bared his soul in his works and he did so at excellent risk, for it is never effortless to open your life for all the globe to see. He seemed to become saying, \"Here I am. Take it for what it is worth, be content and enjoy.\" No one can consider Leonardo without having becoming affected by his work. The \"Mona Lisa\" has suc
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