Characterisation in a film is the key to success, as by having antecedentful and dominating characters the plot and story line comes alive. victor of characters in the film will depend on the peak they endorse or ch altogetherenge our values, and the way they have the power to link our own values to the ones displayed in the movie. In Shawshank salvation characters such as Andy and Red are prime examples of graceful protagonists who value common feels that society shares today. While the sinful obstructer played by the Warden portrays different and unaccept up to(p) values, which ch altogetherenge what we weigh in and what we acknowledge as fair and correct.
Andy is introduced into the film as guilty, a murderer. But the way Andy is presented and the way he acts, speaks and what he achieves not only for himself but the others in the prison all present the possibility that he has been wrongly charged. From the beginning of the movie, Andy is seen as a quiet man who causes no trouble and who keeps to himself. His cave man ways find himself becoming good mates with some other jail-mate Red. Red explains that Andy was a quiet man, who kept to himself, I like him from the start this describes that without Andy verifying one word to Red, Red was able to receive good-natured vibes from him and was able to detect that Andy was a good guy who shared similar values to that of Reds.
With Andy macrocosm constructed as they way he is, you are put in the position of agreeing with Andys perception of the way things are in the jail. His belief of justice and the abuse of authority come across instead strong and with the characterisation of the Warden initiating this corruption you are positioned to...
IT WAS GOOD... let me say that. But you write so well I was irritate to hear analysis on aspects of mes-en-scene, the acting/directing, music/sound, genre, cinematography.
The porta line about characterisation making the film... is that so for all genres? Just food for though :)
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